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    Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling

    Beschreibung Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling. In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters’ viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters’ memories, dreams, and hallucinations. Some films didn’t have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged—the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today’s cinema, that’s because it is. In Reinventing Hollywood, David Bordwell examines the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era’s unique achievements and its legacy for future filmmakers. Reinventing Hollywood is a groundbreaking study of how Hollywood storytelling became a more complex art and essential reading for lovers of popular cinema.



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    David Bordwell: Reinventing Hollywood. How 1940s ~ How 1940s Filmmakers Changed Movie Storytelling. Chicago: University of Chicago Press 2017. ISBN: 9780226487755. 592 S., Preis: $ 40,-. von Claus Tieber David Bordwells Werke, insbesondere "Classical Hollywood Cinema" (mit Janet Staiger und Kristin Thompson) und "Narration in the Fiction Film" zählen den Meilensteinen der Disziplin. In diesen beiden Büchern hat Bordwell seine Sicht des .

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    Reinventing Hollywood: How 1940s Filmmakers Changed Movie ~ “Reinventing Hollywood shows how risk-taking screenwriters and directors of the 1940s introduced storytelling strategies taken from modernist novels and avant-garde theater, enriching movies with their use of unreliable narrators and flashbacks within flashbacks. . . . No dry encyclopedia of cinematic tropes, this is a delectable menu of narrative techniques that maximize the complexity and .

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    Reinventing Hollywood: How 1940s Filmmakers Changed Movie ~ Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling User Review - Book Verdict. Rather than focusing on the colorful stars and studio bosses of 1940s Hollywood, prolific film historian Bordwell (The Rhapsodes: How 1940s Critics Changed American Film Culture) zooms in on the films .

    David Bordwell: Reinventing Hollywood. How 1940s ~ How 1940s Filmmakers Changed Movie Storytelling. By Claus Tieber. Abstract. David Bordwells Werke, insbesondere "Classical Hollywood Cinema" (mit Janet Staiger und Kristin Thompson) und "Narration in the Fiction Film" zählen den Meilensteinen der Disziplin. In diesen beiden Büchern hat Bordwell seine Sicht des klassischen Hollywoodkinos und seiner Erzählweise dargelegt. Diese geht davon aus .

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    Reinventing Hollywood: How 1940s Filmmakers Changed Movie ~ "Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, the latest tome from David Bordwell, one of the most prolific and accomplished scholars in the field, is a major contribution to the study of Classical Hollywood and also a significant—if not downright radical—turn in his career-long assessment of cinematic storytelling. Like much of Bordwell’s later work.

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    Reinventing Hollywood: How 1940s Filmmakers Changed Movie ~ Reinventing Hollywood is not an examination of the cultural zeitgeist or public attitudes of the time: that sort of conjecture is not for Bordwell. Rather, he sets out to expose and explore the narrative twists and turns that storytellers and film-makers grappled with as they made educated guesses and bold stabs at grabbing the attention of audiences. Bordwell demonstrates how 1940s films .

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