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    Schwartz, V: It′s So French - Hollywood, Paris and the: Hollywood, Paris, and the Making of Cosmopolitan Film Culture

    Beschreibung Schwartz, V: It′s So French - Hollywood, Paris and the: Hollywood, Paris, and the Making of Cosmopolitan Film Culture. The recent history of cultural exchange between France and the United States would appear to be defined by “freedom fries” and boycotts against Beaujolais—or, on the other side of the Atlantic, by enraged farmers toppling statues of Ronald McDonald. But this dismal state of affairs is a long way from the mutual admiration that followed World War II, epitomized in a 1958 cover of Look magazine that declared “Brigitte Bardot conquers America.” It’s So French! explores the close affinity between the French and American film industries that flourished in the postwar years, breaking down myths of American imperialism and French cultural protectionism while illuminating the vital role that cinema has played in the globalization of culture.Hollywood was once enamored with everything French and this infatuation blossomed in a wildly popular series of films including An American in Paris, Gigi,and Funny Face. Schwartz here examines the visual appeal of such films, and then broadens her analysis to explore their production and distribution, probing the profitable influences that Hollywood and Paris exerted on each other. This exchange moved beyond individual films with the sensational spectacle of the Cannes Film Festival and the meteoric career of Brigitte Bardot. And in turn, their success led to a new kind of film that celebrated internationalism and cultural hybridity. Ultimately, Schwartz uncovers an intriguing paradox: that the road to globalization was paved with nationalist clichés, and thus, films beloved for being so French were in fact the first signs of a nascent cosmopolitan culture.Packed with an array of colorful film stills, publicity photographs, paparazzi shots, ads, and never before seen archival images, It’s So French! is an incisive account of the fertile collaboration between France and the United States that expanded the geographic horizons of both filmmaking and filmgoing, forever changing what the world saw and dreamed of when they went to the movies.



    Buch Schwartz, V: It′s So French - Hollywood, Paris and the: Hollywood, Paris, and the Making of Cosmopolitan Film Culture PDF ePub

    Schwartz, V: It′s So French - Hollywood, Paris and the ~ Schwartz, V: It′s So French - Hollywood, Paris and the: Hollywood, Paris, and the Making of Cosmopolitan Film Culture: : Schwartz, Vanessa R.: Bücher

    Vanessa Schwartz, It's So French! Hollywood, Paris, and ~ Vanessa Schwartz, It's So French! Hollywood, Paris, and the Making of Cosmopolitan Film Culture. Compte rendu par Véronique Elefteriou. Référence(s) : Chicago, The University of Chicago Press, 2007, ill. coul., 259 p., 16,69 €. Texte / Notes / Citation / Auteur. Texte intégral. PDF Signaler ce document. 1 Il s'agit de Heaven Can Wait (E. Lubitsch, 1943) et de The Philadelphia Story (G .

    Vanessa Schwartz - USC Dana and David Dornsife College of ~ "'It's So French': Hollywood, Paris and the Making of Cosmopolitan Film Culture" (University of Chicago Press, 2007) looks at film culture in the 1950s between France and America in order to re-think the history of the globalization of culture. She published Modern France: A Very Short Introduction in 2011 (Oxford UP). She runs a research institute and graduate program dedicated to the .

    It's so French - OpenEdition ~ La démarche de Vanessa Schwartz (Professeure d’histoire, d’histoire de l’art et de cinéma à l’Université de South California) dans It’s so French est tout à fait originale pour le public français : d’une part, elle explore les relations entre la France et Hollywood dans les années 1950 à partir de l’Amérique, d’autre part elle adopte une démarche d’histoire .

    Home > Vanessa R. Schwartz > USC Dana and David Dornsife ~ Schwartz specializes in 19th and 20th c. European and American visual culture, especially photography, film and design. . and It’s So French! Hollywood, Paris and the Making of Cosmopolitan Film Culture (2007). She is also the author of Modern France: A Very Short Introduction (2011). She has been awarded many fellowships and grants, notably from the Mellon Foundation, the Getty Research .

    AHIS Faculty Display > USC Department of Art History > USC ~ "'It's So French': Hollywood, Paris and the Making of Cosmopolitan Film Culture" (University of Chicago Press, 2007) looks at film culture in the 1950s between France and America in order to re-think the history of the globalization of culture. She published Modern France: A Very Short Introduction in 2011 (Oxford UP). She runs a research institute and graduate program dedicated to the .

    SEHEPUNKTE - Rezension von: Massenkultur - Ausgabe 10 ~ Vgl. z. B. Vanessa R. Schwartz: It's so French. Hollywood, Paris and the making of cosmopolitan film culture, Chicago / London: University of Chicago Press 2007. Vgl. Evelyne Cohen / Marie-Françoise Lévy (éds.): La télévision des Trente Glorieuses. Culture et politique, Paris: CNRS Editions 2007.

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