Beschreibung Doing Women's Film History: Reframing Cinemas, Past and Future (Women and Film History International). Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impact of gender on film production, distribution and reception, and reframing film history to accommodate new questions and approaches. Contributors include: Kay Armatage, Eylem Atakav, Karina Aveyard, Canan Balan, Cécile Chich, Monica Dall'Asta, Eliza Anna Delveroudi, Jane M. Gaines, Christine Gledhill, Julia Knight, Neepa Majumdar, Michele Leigh, Luke McKernan, Debashree Mukherjee, Giuliana Muscio, Katarzyna Paszkiewicz, Rashmi Sawhney, Elizabeth Ramirez Soto, Sarah Street, and Kimberly Tomadjoglou.
Doing Women's Film History: Reframing Cinemas, Past and ~ Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission .
Doing women’s film history: reframing cinemas, past and ~ (2016). Doing women’s film history: reframing cinemas, past and future. Feminist Media Studies: Vol. 16, An Intergenerational Feminist Media Studies: Conflicts and Connectivities, pp. 746-748.
Doing Women's Film History - University of Illinois Press ~ Doing Women's Film History Reframing Cinemas, Past and Future. The complexity and diversity of women's involvement in world cinema. Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also .
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Doing Women's Film History: Reframing Cinemas, Past and ~ Buy Doing Women's Film History: Reframing Cinemas, Past and Future (Women & Film History International) from Kogan. Research into and around women’s participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking—mainstream fiction, experimental, and documentary—but also .
‘Doing Women’s Film and Television Histories III ~ Doing Women’s Film and Television Histories III: Structures of Feeling The Third International Conference of the Women’s Film and Television History Network: UK/Ireland, 18-20 May 2016, Leicester, UK Conference Organisers: Vicky Ball (Senior Lecturer in Cinema and Television Histories, De Montfort University), Melanie Bell (Associate Professor in Film and Media, University of Leeds .
Women and Film History International - UI Press ~ Women and Film History International. Acquiring Editor: Daniel Nasset Series Editors: Kay Armatage, Jane M. Gaines, and Christine Gledhill A new generation of motion picture historians has discovered that women have been much more influential as spectators, actors, and producers in world film history than previously thought. The series investigates the significance of gender in the cinema .
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