Beschreibung Screen Nazis: Cinema, History, and Democracy (Wisconsin Studies in Film). From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil&;s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond.    Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance.    Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian &;Naziploitation&; films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s&;2000s from the United States and numerous European countries.
UW Press - : Screen Nazis: Cinema, History, and Democracy ~ Film / Cultural Studies / Politics. Screen Nazis Cinema, History, and Democracy Sabine Hake Wisconsin Film Studies Patrick McGilligan, Series Editor “Sabine Hake explores why filmmakers in various settings were, and continue to be, able to appeal to powerful emotions when screening the fascist past.” —Lutz Koepnick, author of The Dark Mirror: German Cinema between Hitler and Hollywood .
Screen Nazis: Cinema, History, and Democracy - Project MUSE ~ Screen Nazis: Cinema, History, and Democracy; Sabine Hake 2012; Book; Published by: University of Wisconsin Press; Series: Wisconsin Film Studies; View contents. View Citation; Buy This Book in Print. summary . From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of .
Screen Nazis : cinema, history, and democracy (Book, 2012 ~ Get this from a library! Screen Nazis : cinema, history, and democracy. [Sabine Hake] -- Democracy in action : the Hollywood anti-Nazi films of the 1940s. - Resistance to the resistance : denazification and democratization in 1950s West German cinema. - Melancholy antifascism : the East .
Screen Nazis : cinema, history, and democracy (eBook, 2012 ~ Get this from a library! Screen Nazis : cinema, history, and democracy. [Sabine Hake] -- Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media .
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CiNii 図書 - Screen Nazis : cinema, history, and democracy ~ Screen Nazis : cinema, history, and democracy. Sabine Hake （Wisconsin studies in film） The University of Wisconsin Press, c2012: pbk; 大学図書館所蔵 件 / 全 7 件. 東北大学 附属図書館 工学分館 情報: pbk. 03120022021. OPAC. 南山大学 図書館 図: pbk 778/928 1137669. OPAC. 日本大学 法学部図書館 法: pbk 778.234//H 17 B0000551934. OPAC. フェリス .
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