Beschreibung Visions of the Past: The Challenge of Film to Our Idea of History (Relations). Can filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past. Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history" He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth. Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.
Robert A. Rosenstone, Visions of the Past: the Challenge ~ Robert A. Rosenstone, Visions of the Past: the Challenge of Film to Our Idea of History; Robert A. Rosenstone ed., Revisioning History: Film and the Construction of a …
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Historienfilm – Wikipedia ~ Robert A. Rosenstone: Visions of the Past. The Challenge of Film to Our Idea of History. Harvard University Press, Cambridge MA 1995, ISBN 0-674-94098-9. Roberta Pearson: Das Kino des Übergangs. In: Geoffrey Nowell-Smith (Hrsg.): Geschichte des internationalen Films. Metzler, Stuttgart u. a. 1998, ISBN 3-476-01585-8, S. 25–42. Marcia Landy .
History's affective turn: Historical reenactment and its ~ [1] While history's affective turn is a recent one, media, gender and cultural studies have been referring to (or calling for) an ‘affective turn’ since the late 1990s. See, for example, Robert A. Rosenstone (1998 Rosenstone, R. A. 1998. Visions of the Past: The Challenge of Film to Our Idea of History, Cambridge, MA: Harvard University Press.
: History on Film/Film on History (History ~ History on Film/Film on History demonstrates how films can be analyzed as historical sources.It offers undergraduates an introduction to some of the first issues involved with studying historical films. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major factor in our understanding of past events.
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