Beschreibung Shell Shock Cinema: Weimar Culture and the Wounds of War. Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"--coined during World War I to describe soldiers suffering from nervous breakdowns--as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade.
Shell Shock Cinema: Weimar Culture and the Wounds of War ~ Book Description: Shell Shock Cinemaexplores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat.In this exciting new book, Anton Kaes argues that masterworks such asThe Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, andMetropolis, even though they do not depict battle scenes or soldiers in .
Shell Shock Cinema: Weimar Culture and the Wounds of War ~ Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such asThe Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat .
Shell Shock Cinema: Weimar Culture and the Wounds of War ~ Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat .
Shell Shock Cinema / Princeton University Press ~ Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nationâs defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat .
Shell shock cinema (2009 edition) / Open Library ~ Download for print-disabled Check nearby libraries. Library.link; WorldCat; Buy this book . Better World Books; ; Bookshop; Share this book. Facebook. Twitter. Pinterest. Embed. Edit. Last edited by WorkBot. April 19, 2010 / History. An edition of Shell shock cinema (2009) Shell shock cinema Weimar culture and the wounds of war by Anton Kaes. 0 Ratings 0 Want to read; 0 Currently .
Shell Shock Cinema: Weimar Culture and the Wounds of War ~ Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat .
Shell Shock Cinema: Weimar Culture and the Wounds of War ~ Shell Shock Cinema: Weimar Culture and the Wounds of War Shell Shock Cinema: Weimar Culture and the Wounds of War 2011-06-01 00:00:00 JAN-cHrISTOPHer HOrAK Shell Shock Cinema: Weimar Culture and the Wounds of War by Anton Kaes Weimar Cinema: An Essential Guide to Classic Films of the Era, ed. Noah Isenberg For over sixty years, Siegfried KracauerĂą s From Caligari to Hitler (1947) has been the .
Review 'Shell Shock Cinema: Weimar Culture and the Wounds ~ Review 'Shell Shock Cinema: Weimar Culture and the Wounds of War' By HA Hughes. Abstract. Review of Anton Kaes's book on Weimar cinema. Publishes as Hughes HA (2010). Review 'Shell Shock Cinema: Weimar Culture and the Wounds of War'. Sight & Sound Magazine, 20(4), 93-93 Publisher: British Film Institute. Year: 2010. OAI identifier: oai:epubs.surrey.ac.uk:766541 Provided by: Surrey Research .
Weimar Film Reconsidered - CORE ~ Weimar cinema has become a very dynamic field of research over the last few years. One of the most important contributions surely is Anton Kaes' Shell Shock Cinema: Weimar Culture and the Wounds of War, but The Many Faces of Weimar Cinema. Rediscovering Germany's Filmic Legacy (ed. by Christian Rogowski), Stephen Brockmann's A Critical History of German Film and Tobias Nagl's Die unheimliche .
Arzén von Cserépy - Wikipedia ~ Shell Shock Cinema: Weimar Culture and the Wounds of War. Princeton University Press, 2009. Kreimeier, Klaus. The Ufa story: a history of Germany's greatest film company, 1918-1945. University of California Press, 1999. External links. Arzén von Cserépy on IMDb
Rezeptionsgeschichte - Lexikon der Filmbegriffe ~ engl.: reception history; von lat.: recipere = aufnehmen (1) Der Begriff der Rezeptionsgeschichte entstammt der Literaturwissenschaft der spĂ€ten 1960er Jahre. Im Zentrum des Konzepts stand die Annahme, dass literarische und andere kĂŒnstlerische Werke nicht eine einzige, feststehende Bedeutung haben, sondern in sich verĂ€ndernden historischen Rezeptions- oder Erwartungshorizonten â sich .
Der Stolz der 3. Kompanie â Wikipedia ~ Der Stolz der 3. Kompanie ist der Titel eines 1931 unter der Regie von Fred Sauer gedrehten Tonfilm-MilitĂ€rschwanks, in dem Heinz RĂŒhmann die Hauptrolle spielt. Er lief auch unter dem Alternativtitel Musketier Diestelbeck und war eine Produktion der D.L.S. Deutsches Lichtspiel-Syndikat AG Berlin. Mit Darstellern wie Adolf WohlbrĂŒck, Paul Henckels, Fritz Kampers, Rudolf Platte oder Trude .
On the cultural characters of certain anaerobic bacteria ~ Download Citation / On Jun 9, 2005, R. S. Adamson and others published On the cultural characters of certain anaerobic bacteria isolated from war wounds / Find, read and cite all the research you .
The Eleven Devils - Wikipedia ~ Shell Shock Cinema: Weimar Culture and the Wounds of War. Princeton University Press, 2011. External links. The Eleven Devils on IMDb This article related to a German silent film is a stub. You can help Wikipedia by expanding it. This page was last edited on 24 .
Anton Kaes / Open Library ~ Shell shock cinema: Weimar culture and the wounds of war by Anton Kaes 1 edition . pictures, Race relations, Silent films, Social life and customs, World War, 1914-1918, Xenophobia , American drama, American .
Passagen Verlag: WB 1/2012 ~ Stiftung Weimarer Klassik 1992-1996. FĂŒr und Wider einer Konzeption Rezensionen. Michael Wedel Anton Kaes: Shell Shock Cinema. Weimar Culture and the Wounds of War Nora Bierich William Collins Donahue: Holocaust Lite - Bernhard Schlinks "NS-Romane" und ihre Verfilmungen RĂŒdiger Bernhardt Klaus Schuhmann: Rezeptionsgeschichte als Zeitgeschichte
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Dem Licht entgegen â Wikipedia ~ In: Anton Kaes: Shell Shock Cinema. Weimar Culture and the Wounds of War. Princeton University Press, Princeton NJ u. a. 2009, ISBN 978-0-691-03136-1, S. 8â10. Weblinks. Dem Licht entgegen in der Internet Movie Database (englisch)
Project MUSE - Modernism/modernity-Volume 17, Number 4 ~ Download contents âHive of Wordsâ: The Transnational Poetics of the Eiffel Tower; Tim Conley . Shell Shock Cinema: Weimar Culture and the Wounds of War; Peter Fritzsche; pp. 941-943; DOI: 10.1353/mod.2010.0026; View .
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The Shape of Spectatorship - Art, Science, and Early ~ The Shape of Spectatorship - Art, Science, and Early Cinema in Germany (Film and Culture) / Scott Curtis / ISBN: 9780231134026 / Kostenloser Versand fĂŒr alle BĂŒcher mit Versand und Verkauf duch .
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