Beschreibung Empire of Dreams: The Epic Life of Cecil B. DeMille. BEST KNOWN AS THE DIRECTOR of such spectacular films as The Ten Commandments and King of Kings, Cecil B. DeMille lived a life as epic as any of his cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange blossom and pepper trees, the Lasky company turned out a string of successful silents, most of them directed by DeMille, who became one of the biggest names of the silent era. With films such as The Squaw Man, Brewster’s Millions, Joan the Woman, and Don’t Change Your Husband, he was the creative backbone of what would become Paramount Studios. In 1923 he filmed his first version of The Ten Commandments and later a second biblical epic, King of Kings, both enormous box-office successes. Although his reputation rests largely on the biblical epics he made, DeMille’s personal life was no morality tale. He remained married to his wife, Constance, for more than fifty years, but for most of the marriage he had three mistresses simultaneously, all of whom worked for him. He showed great loyalty to a small group of actors who knew his style, but he also discovered some major stars, among them Gloria Swanson, Claudette Colbert, and later, Charlton Heston. DeMille was one of the few silent-era directors who made a completely successful transition to sound. In 1952 he won the Academy Award for Best Picture with The Greatest Show on Earth. When he remade The Ten Commandments in 1956, it was an even bigger hit than the silent version. He could act, too: in Billy Wilder’s classic film Sunset Boulevard, DeMille memorably played himself. In the 1930s and 1940s DeMille became a household name thanks to the Lux Radio Theater, which he hosted. But after falling out with a union, he gave up the program, and his politics shifted to the right as he championed loyalty oaths and Sen. Joseph McCarthy’s anticommunist witch hunts. As Scott Eyman brilliantly demonstrates in this superbly researched biography, which draws on a massive cache of DeMille family papers not available to previous biographers, DeMille was much more than his clichéd image. A gifted director who worked in many genres; a devoted family man and loyal friend with a highly unconventional personal life; a pioneering filmmaker: DeMille comes alive in these pages, a legend whose spectacular career defined an era.
Empire of Dreams: The Epic Life of Cecil B. DeMille ~ In "Empire of Dreams: The Epic Life of Cecil B. DeMille", author Scott Eyman has succeeded in going far beyond our general perception of "C.B." as a great showman and reveals him to be a complex, seemingly contradictory individual with a fierce sense of loyalty to his beliefs and profound commitment to satisfying his audience.
Empire Of Dreams The Epic Life Of Cecil B Demille ~ In "Empire of Dreams: The Epic Life of Cecil B. DeMille", author Scott Eyman has succeeded in going far beyond our general perception of "C.B." as a great showman and reveals him to be a complex, seemingly contradictory individual with a fierce sense of loyalty to his beliefs and profound
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Empire of Dreams (The Epic Life of Cecil B. DeMille) - By ~ Empire of Dreams The Epic Life of CECIL B. DEMILLE. By Scott Eyman (2010) Best known as the director of such spectacular films as The Ten Commandments and KingOf Kings, Cecil B. DeMille lived a life as epic as any of is cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who .
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Empire of Dreams: The Epic Life of Cecil B. DeMille ~ The name Cecil B. DeMille is synonymous with the quintessential Hollywood epic. As well-earned and imposing of a reputation as that is, it alone does not begin to adequately describe the man himself. In "Empire of Dreams: The Epic Life of Cecil B. DeMille", author Scott Eyman has succeeded in going far beyond our general perception of "C.B." as a great showman and reveals him to be a complex .
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Empire of Dreams: The Epic Life of Cecil B. DeMille ~ The name Cecil B. DeMille is synonymous with the quintessential Hollywood epic. As well-earned and imposing of a reputation as that is, it alone does not begin to adequately describe the man himself. In "Empire of Dreams: The Epic Life of Cecil B. DeMille", author Scott Eyman has succeeded in going far beyond our general perception of "C.B." as a great showman and reveals him to be a complex .
Cecil B. DeMille – Wikipedia ~ Cecil B. DeMille wurde als Sohn eines Bühnenautors geboren. Mit dem Ausbruch des Amerikanisch-Spanischen Krieges lief er aus der Kadettenanstalt weg, in der er seit dem Tod seines Vaters untergebracht war, um sich als Soldat einschreiben zu lassen. Einige Zeit später folgte er seinem Bruder William und begann eine Karriere als Schauspieler.
Empire of dreams : Scott Eyman : Free Download, Borrow ~ Empire of dreams by Scott Eyman. Publication date 2010 Publisher Simon & Schuster Collection inlibrary; printdisabled; internetarchivebooks; china Digitizing sponsor Kahle/Austin Foundation Contributor Internet Archive Language English. Access-restricted-item true Addeddate 2014-04-03 14:34:00.449566 Bookplateleaf 0003 Boxid IA1155410 Boxid_2 CH131705 City New York Donor bostonpubliclibrary .
De tio budorden (film, 1956) – Wikipedia ~ De tio budorden (engelska: The Ten Commandments) är en amerikansk biblisk episk film i färg från 1956 i regi av Cecil B. DeMille.Detta var hans första film i vidfilmsformat och hans sista film. Filmen är en nyinspelning av DeMilles tidigare stumfilm med samma namn från 1923. I denna nya version lät ljudfilmen DeMille fokusera på dialog och drama.
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The Squaw Man (1914) – Wikipedia ~ The Squaw Man ist ein im Winter 1913/14 produzierter, US-amerikanischer Stummfilm von Cecil B. DeMille und Oscar Apfel mit Dustin Farnum in der Titelrolle. Der Streifen, der als der erste „Großwestern“ der Filmgeschichte gilt, „war überaus erfolgreich und legte den Grundstein einer selbst für Hollywood-Verhältnisse ungewöhnlichen Karriere“.
Hank and Jim: The Fifty-Year Friendship of Henry Fonda and ~ Scott Eyman was formerly the literary critic at The Palm Beach Post and is the author or coauthor of fifteen books, including the bestseller John Wayne and (with actor Robert Wagner) the bestsellers Pieces of My Heart and You Must Remember This.Among his other books are Hank and Jim: The Fifty-Year Friendship of Henry Fonda and James Stewart; Empire of Dreams: The Epic Life of Cecil B. DeMille .
Cecil B. DeMille - IMDb ~ Cecil B. DeMille, Producer: The Ten Commandments. His parents Henry C. DeMille and Beatrice DeMille were playwrights. His father died when he was 12, and his mother supported the family by opening a school for girls and a theatrical company. Too young to enlist in the Spanish-American War, Cecil followed his brother William C. de Mille to the New York Academy of Dramatic Arts, making his stage .
Producers Distributing Corporation - Wikipedia ~ PDC's beginnings lay with film pioneer William Wadsworth Hodkinson, founder of Paramount Pictures in 1912. In late 1924 Hodkinson sold one of his struggling distribution companies to Jeremiah Millbank, a "wealthy, extremely religious, and politically conservative financier." Millbank partnered with DeMille and renamed the company Producers Distributing Corporation. Part of Millbank's .
The Cheat (1915 film) - Wikipedia ~ The film's budget was $17,311. It grossed $96,389 domestically and $40,975 in the overseas market. According to Scott Eyman's Empire of Dreams: The Epic Life of Cecil B. DeMille, the film cost $16,540 to make, and grossed $137,364. Upon its release, the character of Hishuru Tori was described as a Japanese ivory merchant.
Katherine DeMille - Wikipedia ~ Her mother, Cecile Bianca Bertha Colani, was of Italian descent and died in a Los Angeles hospital. When she was eight years old, she was found in an orphanage by Constance Adams DeMille, the wife of producer and director Cecil B. DeMille. The DeMilles adopted Katherine, their third child, in 1922. Career