Beschreibung The Body's Perilous Pleasures: Dangerous Desires and Contemporary Culture. Focusing on contemporary film and fiction, this book examines the construction of the body, both within cultural production and as a cultural product itself, and provides a provocative engagement with the cultural representation of the body and its 'dangerous desires'. Transgressive interpretations of conventional imagery merge with critical considerations of subcultural forms. The topics discussed include male erotic objectification; narcissistic masculinity; male to female transvestism; cyborgs and female desire; body piercing; 'demonic' children in film; queer cinema; vampires in women's fiction; the cannibal film; cyborgs and necrophiliac desire; AIDS and reincarnation films. The films discussed include Videodrome, Dead Ringers, M. Butterfly, The Crying Game, Romeo is Bleeding, The Omen, Heavenly Creatures, Sister My Sister, Silenceof the Lambs and Delicatessen.
The Body's perilous pleasures : dangerous desires and ~ Symptoms of AIDS in contemporary film: mortal anxiety in an age of sexual panic / Monica B. Pearl. Summary Focusing on contemporary film and fiction, this book examines the construction of the body, both within cultural production and as a cultural product itself, and provides a provocative engagement with the cultural representation of the body and its 'dangerous desires'.
[PDF] Perilous Pleasures Full Download-BOOK ~ Download The Body S Perilous Pleasures books, This book examines the construction of the body, both within cultural production and as a cultural product itself, and provides a provocative engagement with the cultural representation of the body and its 'dangerous desires'. Language: en Pages: 232 . The Body's Perilous Pleasures. Authors: Michele Aaron. Categories: Performing Arts. Type: BOOK .
The Body's Perilous Pleasures: Dangerous Desires and ~ Focusing on contemporary film and fiction, this book examines the construction of the body, both within cultural production and as a cultural product itself, and provides a provocative engagement with the cultural representation of the body and its 'dangerous desires'. Transgressive interpretations of conventional imagery merge with critical considerations of subcultural forms. The topics discussed include male erotic objectification; narcissistic masculinity; male to female transvestism .
The body's perilous pleasures : dangerous desires and ~ The body's perilous pleasures : dangerous desires and contemporary culture. [Michele Aaron;] Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library. Create lists, bibliographies and reviews: or Search WorldCat. Find items in libraries near you. Advanced Search Find a Library. COVID-19 Resources. Reliable information .
The Body's Perilous Pleasures: Dangerous Desires and ~ Buy The Body's Perilous Pleasures: Dangerous Desires and Contemporary Culture by Aaron, Michele (ISBN: 9780748609611) from 's Book Store. Everyday low prices and free delivery on eligible orders.
New Queer Cinema: A Critical Reader - Google Books ~ Coined in the early 1990s to describe a burgeoning film movement, “New Queer Cinema” has turned the attention of film theorists, students, and audiences to the proliferation of intelligent, stylish, and daring work by lesbian and gay filmmakers within independent cinema and to the infiltration of “queer” images and themes into the mainstream.
Phallic Matters?: Ewan McGregor and the Representation of ~ The figure in question: The transvestite character as a narrative strategy in The Crying Game.In The body’s perilous pleasures: Dangerous desires and contemporary culture, edited by Michele Aaron , 49-66. Edinburgh, UK: Edinburgh University Press. Google Scholar
Project MUSE ~ Hier sollte eine Beschreibung angezeigt werden, diese Seite lässt dies jedoch nicht zu.
Linda Ruth Williams - Wikipedia ~ Linda Ruth Williams (born 16 April 1961) is Professor of Film Studies in the College of Humanities at the University of Exeter, UK. Her special interests include sexuality and censorship in cinema and literature (she has written widely on pornography, including a book on soft-core cinema), women in film, psychoanalytic theory and D. H. Lawrence
リチャード・コールダー - Wikipedia ~ リチャード・コールダー（Richard Calder、1956年 - ）はイギリスのSF作家。 ロンドン イーストエンド在住。 タイ (1990 - 1997) やフィリピン (1999 - 2002) に滞在していたこともある。 『デッドガールズ』から始まる3部作で有名。
The Distinctive Doctrines of the Heidelberg Catechism ~ The psychological ground of the Reformation was the consciousness of man's sin and misery, and the desire for assurance of salvation, the "only comfort in life and in death." It was a repetition in the 16th century of Paul's experience—"Wretched man that I am! who shall deliver me out of the body of this death?" (Rom. 7:24). This cry of distress is heard in the questions of the first part of .
CHAPTER Defining Culture 1 and Identities ~ its initial use in the Greek of Herodotus to its meaning in contemporary English (Cole, 1996). To better understand the origins of hostilities between the Greeks and the Persians, Herodotus visited neighboring non-Greek societies to learn their belief systems, arts, and everyday prac - tices. He called these non-Greek societies “barbarian,” a word in Greek in his time that meant people .
Anchoring the (Postmodern) Self? Body Modification ~ In this sense they share both affinities and differences with other forms of contemporary body project. Alford, L . in M. Featherstone , M. Hepworth and B. Turner (eds) The Body: Social Process and Cultural Theory. London: Sage. Google Scholar. Foster Wallace, D. (1997) Infinite Jest. London: Abacus. Google Scholar. Gamman, L. and M. Makinen (1994) Female Fetishism: A New Look. London .
Body Horror in David Cronenbergs "Die Fliege" und "Die ~ The Body's Perilous Pleasures: Dangerous Desires and Contemporary Culture, Edinburgh University Press 1999, S.34. [2] Ebenda, S.35. [3] Hier wird der englische Originalbegriff verwendet da eine Ubersetzung ins Deutsche nicht ohne Bedeutungsverlust stattfinden kann.
Гиноид — Википедия ~ Гиноид (от др.-греч. γυνή — «женщина» и εἶδος — «вид», «внешность», «образ») или фембот (fem .
Aaron, M: New Queer Cinema: : Aaron, Michele ~ Aaron, M: New Queer Cinema: : Aaron, Michele: Fremdsprachige Bücher Zum Hauptinhalt wechseln . Dangerous Desires and Contemporary Culture. MICHELE AARON is lecturer in film studies at Brunel University, London, where she also co-edits the on-line journal EnterText. She is the editor of The Body's Perilous Pleasures: Dangerous Desires and Contemporary Culture. Kundenrezensionen .
Piercing del frenulo - Wikipedia ~ Varianti. Una serie di piercing del frenulo paralleli viene chiamata "frenum ladder", letteralmente "scala del frenulo", o "Jacob's ladder". Tale sequenza di piercing può essere estesa congiungendola con una serie di lorum, piercing applicati laddove l'asta del pene si connette con lo scroto, con una sequenza di hafada, ossia piercing applicati sulla sacca scrotale più in basso rispetto ai .
Body Horror in David Cronenbergs "Die Fliege" und "Die ~ The Body's Perilous Pleasures: Dangerous Desires and Contemporary Culture, Edinburgh University Press 1999, S.34. [2] Ebenda, S.35. [3] Hier wird der englische Originalbegriff verwendet da eine Ubersetzung ins Deutsche nicht ohne Bedeutungsverlust stattfinden kann.
Technology and Culture Influence Each Other - Productive ~ An underlying thread in yesterday’s post on persistent chat rooms is that technology and culture influence each other. We usually tell the story that culture creates a technology, because that explanation seems the most natural way to understand our history and it puts our choices at the forefront, but we also have to consider the ways in which technology either influences or creates culture.
Sexual Objectification © The Authors 2011 of Women ~ of male sexual desire (Bartky, 1990). Objectification theory posits that SO of females is likely to contribute to mental health problems that disproportionately affect women (i.e., eating disorders, depression, and sexual dysfunction) via two main paths. The first path is direct and overt and involves SO experiences. The second path is indirect and subtle and involves women’s internalization .
: On the Cusp of a Dangerous Year (Crab Orchard ~ Often calling upon the passing of the seasons and revelations of nature, these lyrically elegant poems chronicle the dangers and delights of a range of issues facing contemporary women―from bisexuality and biracial culture and identity, to restless nights and lingering memories of the past. The pleasures of the senses collide with parallels of time and the natural world; tangible solitude .
Prince Albert (genital piercing) - Wikipedia ~ Some PA wearers report it enhances sexual pleasure for both partners. However, . History and culture The origin of this piercing is unknown. Many theories suggest that the piercing was used to secure the penis in some manner, rather than having a sexual or cultural purpose. In modern times, the Prince Albert piercing was popularized by Jim Ward in the early 1970s. In West Hollywood, Ward met .
The Role and Influence of Mass Media ~ Sociologists refer to this as a mediated culture where media reflects and creates the culture. Communities and individuals are bombarded constantly with messages from a multitude of sources including TV, billboards, and magazines, to name a few. These messages promote not only products, but moods, attitudes, and a sense of what is and is not important. Mass media makes possible the concept of .
Chapter 12. Gender, Sex, and Sexuality – Introduction to ~ He gravitated toward dolls and other toys that our culture typically associates with girls. But Harry’s preference was not simply about liking pink more than blue or flowers more than fire trucks. He even began to draw himself as a girl, complete with a dress and high-heeled shoes. In fact, Harry did not just wish to be a girl; he believed he was a girl. In kindergarten, Harry often got into .
Barbara Kruger – Wikipedia ~ Barbara Kruger (* 26.Januar 1945 in Newark, New Jersey) ist eine US-amerikanische Konzeptkünstlerin, die für ihre großformatigen Plakate und Installationen bekannt ist.In ihren Werken thematisiert sie politische und soziale Fragen aus feministischer und konsumkritischer Sicht und gehört „zur ersten Generation feministischer Künstlerinnen [.], die weltweit Beachtung fanden“.