Beschreibung Custen, G: Bio/Pics: How Hollywood Constructed Public History (Studies). "Helps us to understand how Hollywood films shaped public consciousness about the past by constructing a very specific, ideologically charged version of that past. . . . A fresh and important contribution to film history and cultural studies."--Daniel Czitrom, Mount Holyoke CollegeBio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession.Utilizing a carefully selected sample of over 100 films produced during the Studio Era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by difference sources. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of biopic alive, even into the age of the made-for-TV movie.
Bio/Pics: How Hollywood Constructed Public History ~ Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was .
Star Adaptations: Queen Biopics of the 1930s / SpringerLink ~ Abstract. At the root of the biopicâs critical rather than commercial estimation is that it is a genre that âbelongsâ to the actor. Drawing on pressbooks, trailers, trade and fan magazines, this chapter considers the foundational queen biopics of the 1930s as strategically designed as star adaptations and rather than regarding these films as depicting historical women thrust against .
Bibliography of film by genre - Wikipedia ~ Custen, George (1 May 1992). Bio/Pics: How Hollywood Constructed Public History. Rutgers University Press. ISBN 978-0-8135-1755-1. Blaxploitation. Dunn, Stephane (4 August 2008). "Baad Bitches" and Sassy Supermamas: Black Power Action Films. University of Illinois Press. ISBN 978-0-252-07548-3. Howard, Josiah (30 June 2008). Blaxploitation Cinema: The Essential Reference Guide. Fab Press. ISBN .
A Battle for Public Mythology in: Nordicom Review Volume ~ Custen G.F. (1992) Bio/Pics: How Hollywood Constructed Public History. New Brunswick N.J.: Rutgers University Press. Dahl Hans-Fredrik (1995) Mediene og det moderne. Oslo: Universitetsforlaget. Giddens Anthony (1991) Modernity and Self-identity. Self and Society in the Late Modern Age. Cambridge: Polity Press. Hammond Charles M. (1981) The Image Decade: Television Documentary 1965-1975. New .
A Battle for Public Mythology in: Nordicom Review Volume ~ Article A Battle for Public Mythology was published on 01 Nov 2000 in the journal Nordicom Review (Volume 21, Issue 2).
The past as story: The narrative structure of historical ~ This article, starting from the observation that most films use stories to address the past, focuses on the way narrative structures shape the cinematic representation of history. From there it is argued that, in order to appreciate the non-scientific historical perceptions movies generate, it is necessary to accept them as a form of history that approaches the past with its own questions and .
Film, the Past, and a Didactic Dead End: From Teaching ~ Collective Memory Visual Medium Public History Visual Culture Cinema Study These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Biographical films - Film Genres - Research Guides at ~ Bio-pics: A Life in Pictures offers a series of case studies which throw light on this most unique of genres. Is the bio-pic a genre in its own right? Or are such films merely footnotes in other more traditional genres such as the western or costume drama, depending on the historical figure under scrutiny. .
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Filmbiografie â Wikipedia ~ Eine Filmbiografie â auch Biopic (vom englischen biographical und englisch motion picture) â bezeichnet einen Film, der in fiktionalisierter Form das Leben einer geschichtlich belegbaren Figur erzĂ€hlt.Das Biopic ist eines der Ă€ltesten Filmgenres. Der Begriff entstand 1951 und wurde zum ersten Mal im US-Fachblatt Variety verwendet. In einem Biopic muss nicht die Lebensgeschichte einer .
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Twentieth Century's Fox: Darryl F. Zanuck And The Culture ~ Custen (Bio-Pics, Rutgers Univ., 1992) considers him, along with MGM's Irving Thalberg, "the most important and most influential producer in the history of the American cinema." He claims that Zanuck has never received his full due from historians because of his crude and abrasive personality and marshals plenty of evidence to support his claim. This is not a full-length biography. Custen .
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