Beschreibung The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema. The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios.In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come.
The Battle for the Bs: 1950s Hollywood and the Rebirth of ~ At stake in the battle for the Bs in the 1950s was the very survival of B-filmmaking itself. Although many low-budget films established new trends throughout the decade, several Hollywood studios quickly abandoned the B-movie in the decade’s early years, while a few others were (tentatively) dedicated to its ongoing viability.
The Battle for the Bs: 1950s Hollywood and the Rebirth of ~ In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches .
The Battle for the Bs: 1950s Hollywood and the Rebirth of ~ The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema - Kindle edition by Davis, Blair. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema.
The battle for the Bs : 1950s Hollywood and the rebirth of ~ Get this from a library! The battle for the Bs : 1950s Hollywood and the rebirth of low-budget cinema. [Blair Davis] -- In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the new possibilities that existed for low-budget filmmaking at a .
The Battle for the Bs: 1950s Hollywood and the Rebirth of ~ Buy The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema None ed. by Blair Davis (ISBN: 9780813552521) from 's Book Store. Everyday low prices and free delivery on eligible orders.
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CORE ~ Download PDF (505 KB) Cite . BibTex; Full citation . The Battle for the Bs: 1950s Hollywood and the Rebirth of Low-Budget Cinema. (2011). The Expendable Ikon 1.’ In John McHale – The Expendable Reader: Articles on Art, Architecture, Design and Media (1951–79), edited by Alex Kitnick, (1956). The film rights to the story were bought by MGM who were looking for another juvenile .
List of Lippert Pictures films - Wikipedia ~ A list of films produced or released by the American distributor Lippert Pictures.Founded by Robert Lippert in 1945, the company's initial releases were often known as Screen Guild Productions.Later it enjoyed success by co-producing and releasing films by the British studio Exclusive Films.From 1955 Lippert dissolved his original company and began producing films to be released by 20th .
Lippert Pictures - Wikipedia ~ Lippert Pictures was an American film production and distribution company controlled by Robert L. Lippert. It operated from 1945 under the initial title Screen Guild Productions before changing its name to Lippert in 1948. Lippert enjoyed success producing lower-budget films, occasionally interspersed with more prestigious projects with bigger-name stars.
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Singing Sci-Fi Cowboys: Gene Autry And Genre Amalgamation ~ See Blair Davis, The Battle for the Bs: 1950s Hollywood and the rebirth of low-budget cinema (New Brunswick, NJ, 2012) for a full explanation of how science fiction became solidified as genre in 1950.
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