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    Cinema of Outsiders: The Rise of American Independent Film

    Beschreibung Cinema of Outsiders: The Rise of American Independent Film. A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."



    Buch Cinema of Outsiders: The Rise of American Independent Film PDF ePub

    Cinema of outsiders : the rise of American independent ~ Cinema of outsiders : the rise of American independent film Item Preview remove-circle Share or Embed This Item. EMBED. EMBED (for wordpress hosted blogs and archive item <description> tags) Want more? Advanced embedding details, examples, and help! No_Favorite. share. flag. Flag this item for. Graphic Violence ; Graphic Sexual Content ; texts. Cinema of outsiders : the rise of .

    Cinema of Outsiders: The Rise of American Independent Film ~ : Cinema of Outsiders: The Rise of American Independent Film (9780814751244): Levy, Emanuel: Books . Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Apple. Android . Windows Phone. Android. To get the free app, enter .

    Cinema of Outsiders: The Rise of American Independent Film ~ Cinema of Outsiders: The Rise of American Independent Film By Emanuel Levy. New York and London: New York University Press, 1999; ISBN 0-8147-5124-5, 53 Given American independent cinema’s rise to prominence over the past two decades, the time is ripe for a comprehensive account of the catalysts behind that rise, as well as an assessment of indie cinema’s effect on American film culture .

    : Customer reviews: Cinema of Outsiders: The ~ Emanuel Levy, "Cinema of Outsiders: The Rise of American Independent Film," New York: New York University Press, cl999, 601pp. Emanuel Levy among those who prefer the challenging, edgy, sometimes outrageous movies that are released outside of the Hollywood studios' network.

    All the Vermeers in New York - Wikipedia ~ Vincent Canby wrote in The New York Times the film's purpose was to show art as the last bit of humanism in a world without love. Marjorie Baumgarten, a writer for Austin Chronicle, called All the Vermeers in New York an experimental film. Emanuel Levy wrote in Cinema of Outsiders that the film is a mix of "narrative and experimental cinema".

    Emanuel Levy - Wikipedia ~ Of his nine books, his magnum opus is considered to be 1999's Cinema of Outsiders: The Rise of American Independent Film'. the most widely read film book in the history of NYU Press. The book examines the various social, political, economic and artistic forces that have shaped the emergence of low-budget American indies as a distinct institutional cinema, operating parallel to and against .

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    Independent film - Wikipedia ~ An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system, in addition to being produced and distributed by independent entertainment companies. Independent films are sometimes distinguishable by their content and style and the way in which the filmmakers' personal artistic vision is realized.

    New Line Cinema – Wikipedia ~ New Line Cinema (häufig nur New Line, gelegentlich als NL abgekürzt) ist ein US-amerikanisches Filmproduktionslabel, das zu Warner Bros. gehört. Bis zur Übernahme im Jahr 2008 war es eine US-amerikanische Independent-Filmproduktions- und Vertriebsgesellschaft mit Hauptsitz in New York. Bob Shaye gründete das Unternehmen 1967 und veröffentlichte an amerikanischen Universitäten vor allem .

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    Brother Outsider: The Life of Bayard Rustin / ITVS ~ Producer Bennett Singer. Bennett Singer is an award-winning filmmaker who has been making social-issue documentaries for more than 20 years. With Nancy Kates, he produced and directed Brother Outsider: The Life of Bayard Rustin, which premiered at the Sundance Film Festival; was broadcast nationally on PBS’ POV series and later on Logo/MTV; was recently selected for the …

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    The Asylum – Wikipedia ~ The Asylum ist eine US-amerikanische Filmproduktions-und Filmverleihgesellschaft, die 1997 von David Michael Latt, David Rimawi und Sherri Strain gegründet wurde. Die Firma ist vor allem dafür bekannt, Low-Budget-Filme zu drehen, welche die Blockbuster der großen Filmstudios kopieren. Diese Filme werden auch als Mockbuster bezeichnet.