Beschreibung At Full Speed: Hong Kong Cinema in a Borderless World. Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions.At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser known works of Law Man and Yuen Woo Ping to such film festival notables as Stanley Kwan and Wong Kar-wai, and from the commercial action, romance, and comedy genres of Jackie Chan, Peter Chan, Steven Chiau, Tsui Hark, John Woo, and Derek Yee to the attempted departures of Evans Chan, Ann Hui, and Clara Law.In this cinema the contributors identify an aesthetics of action, gender-flexible melodramatic excesses, objects of nostalgia, and globally projected local history and identities, as well as an active critical film community. Their work, the most incisive account ever given of one of the world's largest film industries, brings the pleasures and idiosyncrasies of Hong Kong cinema into clear close-up focus even as it enlarges on the relationships between art and the market, cultural theory and the movies.
At Full Speed: Hong Kong Cinema in a Borderless World ~ Request PDF / On Nov 1, 2002, Chris Berry and others published At Full Speed: Hong Kong Cinema in a Borderless World / Find, read and cite all the research you need on ResearchGate
(PDF) At Full Speed: Hong Kong Cinema in a Borderless ~ At Full Speed: Hong Kong Cinema in a Borderless World (Yau, 2001)
At Full Speed: Hong Kong Cinema in a Borderless World ~ Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries .
At full speed: Hong Kong cinema in a borderless world ~ At full speed: Hong Kong cinema in a borderless world. Add to My Bookmarks Export citation. Type Book Author(s) Yau, Ching-Mei Esther Date c2001 Publisher University of Minnesota Press Pub place London, Minneapolis ISBN-10 0816632340, 0816632359 ISBN-13 9780816632343. 9780816632343,9780816632343. Preview. This item appears on. List: FM3609 - Hong Kong Cinema Section: Core Reading Next: Hong .
Project MUSE - At Full Speed ~ At Full Speed: Hong Kong Cinema in a Borderless World. In this Book. Additional Information. At Full Speed: Hong Kong Cinema in a Borderless World; Esther Yau 2001; Book; Published by: University of Minnesota Press; View View Citation ; contents. summary. Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-Fat’s cult followers-these are some of the elements of the vivid and .
At full speed: Hong Kong cinema in a borderless world ~ At full speed: Hong Kong cinema in a borderless world . Jinsoo An (2001) ‘The Killer: Cult film and Transcultural (Mis)Reading’ Add to My Bookmarks Export citation. Type Book Author(s) Ching-Mei Esther Yau Date c2001 Publisher University of Minnesota Press Pub place London, Minneapolis .
At full speed: Hong Kong cinema in a borderless world ~ At full speed: Hong Kong cinema in a borderless world. Add to My Bookmarks Export citation. Type Book Author(s) Esther C. M. Yau Date 2001 Publisher University of Minnesota Press Pub place Minneapolis ISBN-10 0816632340, 0816632359 ISBN-13 9780816632343, 9780816689699 eBook. Access the eBook. Web address https://muse-jhu-edu.ezproxy.library.uq.edu.au. Format electronic resource .
(PDF) "Women on the Edges of Hong Kong Modernity: The ~ "Women on the Edges of Hong Kong Modernity: The Films of Ann Hui" in *Spaces of Their Own: Women’s Public Sphere in Transnational China*. Minnesota UP. 1999. rpt in *At Full Speed: Hong Kong Cinema in a Borderless World*. Minnesota UP.
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Cantonese slang - Wikipedia ~ At Full Speed: Hong Kong Cinema in a Borderless World. University of Minnesota Press, 2001. ISBN 0816632359, 9780816632350. Lo, Kwai-Cheung. "Invisible Neighbors: Racial Minorities and the Hong Kong Chinese Community." In: Kerr, Douglas. Critical Zone 3: A Forum of Chinese and Western Knowledge. Hong Kong University Press, April 30, 2009.
Mr. Nice Guy (1997 film) - Wikipedia ~ Mr. Nice Guy (一個好人, LSHK Jat1 go3 hou2 jan4) is a 1997 Hong Kong-Australian action film directed by Sammo Hung and starring Jackie Chan and Richard Norton.Hung cameos as an unfortunate cyclist. The film was released in Hong Kong on 31 January 1997.. Mr. Nice Guy features a collaboration between Chan and Norton, reuniting them for the first time since 1993's City Hunter and also Chan .
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