Beschreibung High Contrast: Race and Gender in Contemporary Hollywood Films. In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen—most often with little apparent regard for the political context in which they operate—Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino.Capturing the political complexity of these films, Willis argues that race, gender, and sexuality, as they are figured in the fantasy of popular film, do not function separately, but rather inform and determine each other’s meaning. She demonstrates how collective anxieties regarding social difference are mapped onto big budget movies like the Die Hard and Lethal Weapon series, Basic Instinct, Fatal Attraction, Thelma and Louise, Terminator 2, and others. Analyzing the artistic styles of directors Lynch, Tarantino, and Lee, in such films as Wild at Heart, Pulp Fiction, and Do the Right Thing, she investigates how these interactions of difference are linked to the production of specific authorial styles, and how race functions for each of these directors, particularly in relation to gender identity, erotics, and fantasy.
High contrast : race and gender in contemporary Hollywood ~ "In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen-most often with little apparent regard for the political context in which they operate-Willis restores that context through close readings of a range .
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Movies That Defy Gender Stereotypes - Common Sense Media ~ Movies That Defy Gender Stereotypes Princesses and superheroes are great, and kids -- both boys and girls! -- love them. But child development experts agree that kids need to see a wide range of male and female characters, displaying a range of traits, behaviors, and beliefs, in the media they consume.
Black films matter â how African American cinema fought ~ Black films matter â how African American cinema fought back against Hollywood The late 80s and 90s heralded a breakthrough led by Spike Leeâs Do the Right Thing and John Singletonâs Boyz N .
Martin Riggs - Wikipedia ~ Films: Alive Television: Deceased: Martin Riggs is a fictional character from the Lethal Weapon film series. Riggs was originally played by Mel Gibson in all four films from 1987 to 1998, and later by Clayne Crawford in the Fox television series from 2016 to 2018. Originally a member of the Los Angeles Police Department's Narcotics Division, upon being reassigned to the Homicide Division .
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German Films: Home ~ The feature film AND TOMORROW THE ENTIRE WORLD by Julia von Heinz (Seven Elephants GmbH) will enter the race for Germany for the 93rd OscarÂź in the category Best International Feature Film. The. more German Competition Entries in Tallinn. The Tallinn Black Nights, the only A-festival in the Nordic-Baltic area, has another large German presence at their 24th edition (13 â 29 November, 2020 .
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Sorry, Ladies: Study on Women in Film and Television ~ The Center for the Study of Women in Television and Film has released its report on 2014, titled âItâs a Manâs (Celluloid) World,â and the news isnât good.. The study examines on-screen .
Statistics / Women and Hollywood ~ Back to Resources » TV Statistics / Women Critics / 2020 / 2019 / 2018 / 2017 / 2016 / 2015 / 2014 / 2013 / 2012 / 2011 / 2010 / 2009 / 2008 Facts to Know About Women in Hollywood 1) Women account for 51% of moviegoers. (MPAA 2018) 2) On the top 100 grossing films of 2019, women represented: 10.7% of directors 19.4% of writers 24.3% of producers 70.4% of editors (Inclusion Initiative) 3).
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Free Solo (Film) â Wikipedia ~ Inhalt. In Free Solo bezwingt der Freikletterer Alex Honnold ohne Seil und andere technische Hilfsmittel den bis zu 1000 Meter hohen Granitfelsen El Capitan im Yosemite National Park.Der Film zeigt auch die Vorbereitungen des waghalsigen Unternehmens. Der Titel des Films bezieht sich auf Free Solo, die Begehung einer Kletterroute im Alleingang unter Verzicht auf technische Hilfs- und .
GENDER, RACE, AND MEDIA REPRESENTATION ~ ences that are increasingly segmented by the social constructions of race and gender. Media, in short, are central to what ultimately come to rep-resent our social realities. While sex differences are rooted in biology, how we come to under-stand and perform gender is based on culture.1 We view culture âas a process through which people circulate and struggle over the meanings of our social .