Beschreibung Incongruous Entertainment: Camp, Cultural Value, And The Mgm Musical. With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp. Yet they were originally made to appeal to broad, mainstream audiences. In this lively, nuanced, and provocative reassessment of the mgm musical, Steven Cohan argues that this seeming incongruity&;between the camp value and popular appreciation of these musicals&;is not as contradictory as it seems. He demonstrates that the films&; extravagance and queerness were deliberate elements and keys to their popular success. In addition to examining the spectatorship of the mgm musical, Cohan investigates the genre&;s production and marketing, paying particular attention to the studio&;s employment of a largely gay workforce of artists and craftspeople. He reflects on the role of the female stars&;including Judy Garland, Debbie Reynolds, Esther Williams, and Lena Horne&;and he explores the complex relationship between Gene Kelley&;s dancing and his masculine persona. Cohan looks at how, in the decades since the 1950s, the marketing and reception of the mgm musical have negotiated the more publicly recognized camp value attached to the films. He considers the status of Singin&; in the Rain as perhaps the first film to be widely embraced as camp; the repackaging of the musicals as nostalgia and camp in the That&;s Entertainment! series as well as on home video and cable; and the debates about Garland&;s legendary gay appeal among her fans on the Internet. By establishing camp as central to the genre, Incongruous Entertainment provides a new way of looking at the musical.
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Incongruous Entertainment: Camp, Cultural Value, and the ~ With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp. Yet they were originally made to appeal to broad, mainstream audiences. In this lively, nuanced, and provocative reassessment of the mgm musical, Steven Cohan argues that this seeming incongruityâbetween the camp value and .
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Incongruous Entertainment - Duke University Press ~ Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical. By Steven Cohan. Steven Cohan Steven Cohan is Professor of English at Syracuse University. He is the author of Masked Men: Masculinity and the Movies in the Fifties; the editor of Hollywood Musicals: The Film Reader; and a coeditor of The Road Movie Book and Screening the Male: Exploring Masculinities in Hollywood Cinema .
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Hollywood Musicals - 1st Edition - Steven Cohan ~ Steven Cohanâs books include Masked Men: Masculinity and the Movies in the Fifties, Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical, and Hollywood by Hollywood: The Backstudio Picture and the Mystique of Making Movies. He is Deanâs Distinguished Professor Emeritus at Syracuse University.
That Was Entertainment: The Golden Age of the MGM Musical ~ That Was Entertainment: The Golden Age of the MGM Musical traces the development of the MGM musical from The Broadway Melody (1929) through its heyday in the 1940s and 1950s and its decline in the 1960s, culminating in the notorious 1970 MGM auction when Judy Garland's ruby slippers from The Wizard of Oz, Charlton Heston's chariot from Ben-Hur, and Fred Astaire's trousers and dress shirt from .
Project MUSE - Incongruous Entertainment ~ Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical. In this Book. Additional Information. Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical; Steven Cohan 2005; Book; Published by: Duke University Press; View contents. View Citation ; summary. With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm .
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The Sound of Musicals - Steven Cohan - Google Books ~ STEVEN COHAN is Professor of English at Syracuse University, USA. His books include Telling Stories: A Theoretical Analysis of Narrative (1988, co-authored with Linda M. Shires), Masked Men: Masculinity and the Movies in the Fifties (1997), Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical (2005) and CSI: Crime Scene Investigation (2008).
(PDF) C. S. Lewis, The Abolition of Man - ResearchGate ~ A review of Steven Cohan, Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical (Duke University Press, Durham and London, 2005). View full-text Article
mens ballet: ŕšŕ¸Ąŕ¸Šŕ¸˛ŕ¸˘ŕ¸ 2012 ~ Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical Overviews With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp.
Introduction: The Musical and Masculinity Take a Turn for ~ Steven Cohan, Incongruous Entertainment: Camp, Cultural Value, and The MGM Musical (Durham, NC and London: Duke University Press, 2005) 164â83, 107â32. CrossRef Google Scholar 9.
Richard Shusterman, Entertainment: A question for ~ Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical Edited by Cohan, Steven. Jennifer Judkins - 2006 - Journal of Aesthetics and Art Criticism 64 (4):491â493.
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Vol. 64, No. 4, Autumn, 2006 of The Journal of Aesthetics ~ Description: Established in 1942 by the American Society for Aesthetics, The Journal of Aesthetics and Art Criticism publishes current research articles, special issues, and timely book reviews in aesthetics and the arts. The term "aesthetics," in this connection, is understood to include all studies of the arts and related types of experience from a philosophical, scientific, or other .
âThis industry lives on gossip and scandalâ: female star ~ His books include Masked Men: Masculinity and the Movies in the Fifties, Indian University Press, 1997 and Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical, Duke University Press, 2005. At present he is completing a book on the backstudio picture, or the movie about making movies, and the mystique of Hollywood.
Chute Hillary The The Empty Live Feminist Pleasure In ~ Clum, John M. Something for the Boys: Musical Theater and Gay Culture. New York: St. Martinâs Press, 1999. Cobb, Jasmine. âNo Way of Seeing: Mainstreaming and Selling the Gaze of Homo-Thug Hip-Hop.â Popular Communication 5, no. 2 (2007): 89-108. Cohan, Steven. Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical.
Garden of Allah (cabaret) - Wikipedia ~ The Garden of Allah was a mid-20th century gay cabaret that opened in 1946 in the basement of the Victorian-era Arlington Hotel in Seattle's Pioneer Square.It was Seattle's most popular gay cabaret in the late 1940s and 1950s and one of the first gay-owned gay bars in the United States. Prior to becoming a cabaret, the space had been a speakeasy, during Prohibition, and then a tavern.