Beschreibung The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense (Perverse Modernities). Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze&;s notion of &;the cinematic&;&;not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself &;Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible.Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others in addition to Deleuze. She pursues the elusive figure of the black femme through Haile Gerima&;s film Sankofa, images of women in the Black Panther Party, Pam Grier&;s roles in the blaxploitation films of the early 1970s, F. Gary Gray&;s film Set It Off, and Kasi Lemmons&;s Eve&;s Bayou.
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The Witch's Flight: The Cinematic, the Black Femme, and ~ The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense (Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe) by Keeling, Kara (2007) Paperback / / ISBN: / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .
The Witch’s Flight: The Cinematic, the Black Femme, and ~ Perverse modernities The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense. By Kara Keeling. Kara Keeling Kara Keeling is Assistant Professor of Critical Studies in the School of Cinematic Arts and of African American Studies in the Department of American Studies and Ethnicity at the University of Southern California. She is a coeditor of James A. Snead’s Racist .
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The Witch’s Flight : The Cinematic, the Black Femme, and ~ The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense. By Kara Keeling. Kara Keeling Kara Keeling is Assistant Professor of Critical Studies in the School of Cinematic Arts and of African American Studies in the Department of American Studies and Ethnicity at the University of Southern California. She is a coeditor of James A. Snead’s Racist Traces and Other .
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The Witch’s Flight - Duke University Press ~ The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense. By Kara Keeling. Kara Keeling Kara Keeling is Assistant Professor of Critical Studies in the School of Cinematic Arts and of African American Studies in the Department of American Studies and Ethnicity at the University of Southern California. She is a coeditor of James A. Snead’s Racist Traces and Other .
The Witch’s Flight : The Cinematic, the Black Femme, and ~ Perverse modernities The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense. By . Kara Keeling is Assistant Professor of Critical Studies in the School of Cinematic Arts and of African American Studies in the Department of American Studies and Ethnicity at the University of Southern California. She is a coeditor of James A. Snead’s Racist Traces and Other .
The Witch's Flight by Kara Keeling / Waterstones ~ The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense - Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe (Paperback) Kara Keeling (author) Sign in to write a review
The Witch's Flight: The Cinematic, the Black Femme, and ~ The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense 224. by Kara Keeling / . Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe Series : Edition description: New Edition: Pages: 224: Sales rank: 905,220: Product dimensions: 6.14(w) x 9.21(h) x 0.47(d) About the Author. Kara Keeling is Assistant Professor of Critical Studies in the School of .
Duke University Press - The Witch′s Flight ~ The Witch′s Flight The Cinematic, the Black Femme, and the Image of Common Sense. Share. Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe . More about this series . Book Pages: 224. Illustrations: 1 b&w photo Published: November 2007. Author: Kara Keeling. Subjects African American Studies and Black Diaspora, Gender and Sexuality > Queer Theory, Media Studies > Film .
The Witch's Flight: The Cinematic, the Black Femme, and ~ The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense. Kara Keeling. Duke University Press, Nov 5, 2007 - Performing Arts - 222 pages. 0 Reviews. Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze’s notion of .
The Witch's Flight eBook by Kara Keeling - 9780822390145 ~ Read "The Witch's Flight The Cinematic, the Black Femme, and the Image of Common Sense" by Kara Keeling available from Rakuten Kobo. Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitali.
Reading and Resistance: Re-visiting The Witch’s Flight ~ Kara Keeling’s first monograph The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense (2007), which has had a profound effect on Film Studies, African American Studies and Queer theory since its release, is a crucial text within this context. Keeling’s book asserts that cinema, and its processes, have had a powerful effect on twentieth century’s anti .
Black on Both Sides — University of Minnesota Press ~ In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials, Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable.
The Desiring-Image: Gilles Deleuze And Contemporary Queer ~ The Desiring-Image yields new models of queer cinema produced since the late 1980s, based on close formal analysis of diverse films as well as innovative contributions to current film theory. The book defines "queer cinema" less as a specific genre or in terms of gay and lesbian identity, but more broadly as a kind of filmmaking that conveys sexual desire and orientation as potentially fluid .
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: Ends of Empire: Asian American Critique and ~ The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense (Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe) Kara Keeling 3.3 out of 5 stars 4
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