Beschreibung Virtual Hallyu: Korean Cinema of the Global Era. “[T]his fine book . . . . enlarges our vision of one of the great national cinematic flowerings of the last decade.”—Martin Scorsese, from the forewordIn the late 1990s, South Korean film and other cultural products, broadly known as hallyu (Korean wave), gained unprecedented international popularity. Korean films earned an all-time high of $60.3 million in Japan in 2005, and they outperformed their Hollywood competitors at Korean box offices. In Virtual Hallyu, Kyung Hyun Kim reflects on the precariousness of Korean cinema’s success over the past decade. Arguing that state film policies and socioeconomic factors cannot fully explain cinema’s true potentiality, Kim draws on Deleuze’s concept of the virtual—according to which past and present and truth and falsehood coexist—to analyze the temporal anxieties and cinematic ironies embedded in screen figures such as a made-in-the-USA aquatic monster (The Host), a postmodern Chosun-era wizard (Jeon Woo-chi), a schizo man-child (Oasis), a weepy North Korean terrorist (Typhoon), a salary man turned vengeful fighting machine (Oldboy), and a sick nationalist (the repatriated colonial-era film Spring of Korean Peninsula). Kim maintains that the full significance of hallyu can only be understood by exposing the implicit and explicit ideologies of protonationalism and capitalism that, along with Korea’s ambiguous post-democratization and neoliberalism, are etched against the celluloid surfaces.
Duke University Press - Virtual Hallyu ~ Virtual Hallyu Korean Cinema of the Global Era. Share. Book Pages: 280. Illustrations: 57 photographs, 3 tables, 6 figures Published: October 2011. Author: Kyung Hyun Kim. Contributor: Martin Scorsese. Subjects Asian Studies > East Asia, Cultural Studies, Media Studies > Film “[T]his fine book . . . . enlarges our vision of one of the great national cinematic flowerings of the last decade .
Virtual Hallyu: Korean Cinema of the Global Era / Books ~ In the late 1990s, South Korean film and other cultural products, broadly known as hallyu (Korean wave), gained unprecedented international popularity. Korean films earned an all-time high of $60.3 million in Japan in 2005, and they outperformed their Hollywood competitors at Korean box offices. In Virtual Hallyu, Kyung Hyun Kim reflects on the precariousness of Korean cinema’s success over .
Virtual Hallyu: Korean Cinema of the Global Era: Kim ~ Korean cinema in many ways set the condition for hallyu’s expansion by inducing a shift in foreign perceptions of Korea. The country came to be seen as the producer of a different brand of modernity, distinct from Japan’s or China’s globalized cultures. Its movies were not only cheap imitation movies known collectively as Copywood; they were original productions in their own right. In .
Virtual Hallyu: Korean Cinema of the Global Era. By Kyung ~ Download Citation / Virtual Hallyu: Korean Cinema of the Global Era. By Kyung Hyun Kim. Durham, N.C.: Duke University Press, 2011. xviii, 255 pp. $89.95 (cloth); $24 .
Virtual Hallyu: Korean Cinema of the Global Era: .co ~ Buy Virtual Hallyu: Korean Cinema of the Global Era by Kim, Kyung Hyun (ISBN: 9780822351016) from 's Book Store. Everyday low prices and free delivery on eligible orders.
: Virtual Hallyu: Korean Cinema of the Global ~ Korean cinema in many ways set the condition for hallyu’s expansion by inducing a shift in foreign perceptions of Korea. The country came to be seen as the producer of a different brand of modernity, distinct from Japan’s or China’s globalized cultures. Its movies were not only cheap imitation movies known collectively as Copywood; they were original productions in their own right. In .
Virtual Hallyu Korean Cinema of the Global Era ~ Virtual Hallyu Korean Cinema of the Global Era. Posted on 02.11.2020 by vojo. Virtual Hallyu Korean Cinema of the Global Era Kim, Kyung .
The Korean Popular Culture Reader - Duke University Press ~ He is the author of Virtual Hallyu: Korean Cinema of the Global Era and The Remasculinization of Korean Cinema, both also published by Duke University Press. Youngmin Choe is Assistant Professor of East Asian Languages and Cultures at the University of Southern California. Search for other works by this author on: This Site. Google. Youngmin Choe. Youngmin Choe Kyung Hyun Kim is Professor of .
Hallyu as a Government Construct: The Korean Wave in the ~ Virtual Hallyu: Korean Cinema of the Global Era. Durham, NC: Duke University Press, 2011. CrossRef Google Scholar. Kim, Linsu. “National System of Industrial Innovation: Dynamics of Capacity Building in Korea.” In National Innovation Systems: A Comparative Analysis, edited by Richard R. Nelson, 357–383. Oxford and New York: Oxford University Press, 1993. Google Scholar. Kim, Milim .
Korean Wave and Korean Pop Culture - Korean Studies ~ Virtual hallyu : Korean cinema of the global era PN1993.5.K6 K52424 2011, ebook available. Hallyu : influnce of Korean popular culture in Asia and beyond DS922.7 H355 2011. Korean Popular Culture Reader (on order) Iwabuchi. East Asian pop culture : analysing the Korean wave PN1992.3.K6 E38 2008
The Korean Popular Culture Reader by Kyung Hyun Kim ~ The essays in this collection reveal the intimate connections of Korean popular culture, or hallyu, to the peninsula's colonial and postcolonial histories, to the nationalist projects of the military dictatorship, and to the neoliberalism of twenty-first-century South Korea. Combining translations of seminal essays by Korean scholars on topics ranging from sports to colonial-era serial fiction .
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Subversives: Parasite / Carsey-Wolf Center ~ Kim is author of The Remasculinization of Korean Cinema, Virtual Hallyu: Korean Cinema of the Global Era, Hegemonic Mimicry: Korean Popular Culture of Twenty-first Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the U.S. in search of her missing son during .
The Korean Popular Culture Reader - Google Books ~ Over the past decade, Korean popular culture has become a global phenomenon. The "Korean Wave" of music, film, television, sports, and cuisine generates significant revenues and cultural pride in South Korea. The Korean Popular Culture Reader provides a timely and essential foundation for the study of "K-pop," relating the contemporary cultural landscape to its historical roots.
Virtually Alive or Questionably Dead? The Ambivalence of ~ Theodore Hughes, Literature and Film in Cold War South Korea: Freedom's Frontier.New York: Columbia University Press, 2012. 304 pp. $55 (cloth). Kyung Hyun Kim, Virtual Hallyu: Korean Cinema of the Global Era.Durham, NC: Duke University Press, 2011, pp. 208. $90 (cloth), $25 (paper).
Project MUSE - Korean Studies-Volume 37, 2013 ~ Korean Studies: A Multidisciplinary . Download contents. School Textbooks: An Instance of Modernity Refracted by Colonialism and Tradition; Gilsang Lee; pp. 79-98 ; DOI: 10.1353/ks.2013.0011; View Download contents. The Context and Contradictions of Kang Kyŏng-ae’s Novel In’gan munje; Samuel Perry; pp. 99-123; DOI: 10.1353/ks.2013.0000; View Download contents. Performing Modernity in .
The Korean Popular Culture Reader: Kyung Hyun Kim ~ As an alternative, the Kindle eBook is available now and can be read on any device with the free Kindle app. . He is the author of Virtual Hallyu: Korean Cinema of the Global Era and The Remasculinization of Korean Cinema, both also published by Duke University Press. Youngmin Choe is Assistant Professor of East Asian Languages and Cultures at the University of Southern California. Product .
Korean wave - Wikipedia ~ The Korean wave (Korean: 한류; Hanja: 韓流; RR: Hallyu; MR: Hallyu, listen (help · info), a neologism, literally meaning "wave/flow of Korea") is the increase in global popularity of South Korean culture since the 1990s. First driven by the spread of K-dramas and K-pop across East, South and Southeast Asia during its initial stages, the Korean Wave evolved from a regional development into .
FOCUS ON KOREA MIPCOM 2020 by MIPMarkets - Issuu ~ Global interest in Korean culture began in the early 2000s with Korean dramas. This was when the label Hallyu, or Korean wave, was born to describe the rise of Korean culture internationally. At .
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SM Entertainment - Wikipedia ~ SM Entertainment Co., Ltd. (Korean: SM엔터테인먼트) is South Korea's largest entertainment company, founded in 1995 by Lee Soo-man.The company has developed and popularized numerous K-pop stars with huge global fandoms. SM is known for having led the global K-pop phenomenon and the musical side of "Hallyu", also known as the "Korean Wave", with early overseas successes such as H.O.T. and .
'Parasite' Becomes 1st Foreign Language Feature To Win ~ South Korean film "Parasite" won the Academy Award for Best Picture Sunday night, the first foreign-language film to do so.
Watch Korean Dramas Online Free - Rakuten Viki ~ Korean Drama. Korean drama (Hangul: 한국드라마), k-drama for short, refers to televised dramas produced in South Korea. Many of these dramas have become popular throughout Asia, with growing interest in other parts of the world. K-dramas have contributed to the general phenomenon of the Korean wave, known as Hallyu.
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