Beschreibung ALTERNATIVE EMPIRES: European Modernist Cinemas and Cultures of Imperialism (Exeter Studies in Film History). This is the first book to study representations of the non-Western world in European modernist cinema. In offering new perspectives on the history of Soviet montage cinema and on the British documentary movement, it connects with the growing body of work analysing manifestations of orientalism, Eurocentrism and colonial discourse in the cinema. The book integrates theoretical discussion and textual analysis with primary source historical research, particularly into film reception. The case studies question received understandings of European film history, and offer new insights into canonical films already familiar to many readers. It is the first book length study of the subject and includes new insights into Fritz Lang's Metropolis, Eisenstein's October and the Griersonian Documentary as well as 'forgotten' films of the period. It is a useful teaching aid, with detailed analyses of films taught on most film studies courses
The University of Exeter Press - Alternative Empires ~ âthe bookâs inquiry into ethnic representations of imperial cinemas of modernism is a welcome and impressive contribution to the field. Its analyses are thorough and thought-provoking, and in many instances constitute a truly original way of looking at these films.â (Alternative Empires: European Modernist Cinemas and Cultures of Imperialism, Quarterly Review of Film and Video, No. 20, 2003)
Alternative empires : European modernist cinemas and the ~ Get this from a library! Alternative empires : European modernist cinemas and the cultures of imperialism. [Martin Stollery] -- "During the 1980s and 1990s, film historians busied themselves with the task of rethinking many of the previously established approaches to European film history. Alternative Empires extends that .
Alternative Empires: European Modernist Cinemas and ~ Alternative Empires: European Modernist Cinemas and Cultures of Imperialism (Exeter Studies in Film History) [Stollery, Martin] on . *FREE* shipping on qualifying offers. Alternative Empires: European Modernist Cinemas and Cultures of Imperialism (Exeter Studies in Film History)
Alternative Empires: European Modernist Cinemas and the ~ The case studies also bring to light partly or wholly âforgottenâ films which were central to European modernist film cultures in the 1920s and 1930s yet have been âwritten outâ of history by subsequent accounts. Analysing European modernist cinemas in relation to cultures of imperialism revises existing maps of the film history of this period, altering perceptions of what we already .
Alternative Empires: European Modernist Cinemas and ~ Alternative Empires: European Modernist Cinemas and Cultures of Imperialism, Quarterly Review of Film and Video, No. 20, 2003 "Stollery's exciting project.is a welcome and impressive contribution to the field. Its analyses are thorough and thought-provoking, and in many instances constitute a truly original way of looking at these films." Quarterly Review of Film and Video, No. 20, July .
Alternative empires : European modernist cinemas and ~ Alternative empires : European modernist cinemas and cultures of imperialism Martin Stollery ďźExeter studies in film historyďź University of Exeter Press, 2000
Cinemas of Empire - ResearchGate ~ Stollery, M., Alternative Empires: European Modernist Cinemas and Cultures of Imperialism (Exeter: University of Exeter Press, 2000). Towards a Third Cinema Jan 1976
Bibliography 4.4 â Representation and the Real ~ Alternative Empires: European Modernist Cinemas and Cultures of Imperialism. Exeter: U of Exeter P, 2000. Taylor, Richard. âBut eastward, look, the land is brighter: towards a topographyy of utopia in the Stalinist musical.â 100 Years of European cinema: Entertainment or ideology? Ed. Diana Holmes and Alison Smith. Manchester: Manchester UP .
Bibliography 4.3 â Representation and the Real ~ Alternative Empires: European Modernist Cinemas and Cultures of Imperialism. Exeter: U of Exeter P, 2000. Taylor, Richard. âAgitation, Propaganda and the Cinema: The Search for New Solutions, 1917-1921.â Art, Society, Revolution: Russia, 1917-1921. Ed. Nils Ake Nilsson. Stockholm Studies in Russian Literature 11. Stockholm: Almqvist & Wiksell Intnl, 1979. 237-263. â. âThe Birth of the .
Documentary in the 1930s / SpringerLink ~ Abstract. While there were important antecedents, such as the documentary reconstructions of British Instructional Films and the polar exploration epics, the emergence of British documentary as a distinct mode of film practice in its own right is generally held to have been in the 1930s when a combination of factors â including a growing awareness of the potential of film as a medium of mass .
The language problem in European cinema: Discourses on ~ Alternative Empires. European Modernist Cinemas and Cultures of Imperialism. Exeter: (1982). American English: From a Colonial Substandard to a Prestige Language,' (1998). American Friends: Hollywood Echoes in the New German Cinema,' (2001). An Accented Cinema:Exilic and Diasporic Filmmaking. (2005). An Economic History of Film. (2003). An Experience ofInterculturality: Student Travellers .
Leah Goldman - University of Chicago ~ European cinema after 1989 : cultural identity and transnational production. New York: Palgrave Macmillan, 1997. New York: Palgrave Macmillan, 1997. Sieglohr, Ulrike, ed. Heroines without heroes : reconstructing female and national identities in European cinema, 1945-51.
Contributors, Screen / 10.1093/screen/hjs001 / DeepDyve ~ He is author of Alternative Empires: European Modernist Cinemas and Cultures of Imperialism (2000), and coauthor of British Film Editors (2004). He has published widely on British documentary film and is currently researching the career of Ian Dalrymple. Amy West holds a PhD in Film, Television and Media Studies from the University of Auckland. She has published on diverse aspects of the .
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