Beschreibung Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora (Anthem South Asian Studies). Commercial cinema has always been one of the biggest indigenous industries in India, and remains so in the post-globalization era, when Indian economy has entered a new phase of global participation, liberalization and expansion. Issues of community, gender, society, social and economic justice, bourgeois-liberal individualism, secular nationhood and ethnic identity are nowhere more explored in the Indian cultural mainstream than in commercial cinema. As Indian economy and policy have gone through a sea-change after the end of the Cold War and the commencement of the Global Capital, the largest cultural industry has followed suit. This book is a significant addition to the study of post-Global Indian culture. The articles represent a variety of theoretical and pedagogical approaches, and the collection will be appreciated by beginners and scholars alike.
Bollywood and Globalization: Indian Popular Cinema, Nation ~ Bollywood, or Bombay Cinema, or Indian Entertainment Cinema went global in 1995, with Aditya ChopraâsDilwale Dulhaniya Le Jayenge(The True of Heart Will Win the Bride).DDLJ, as the film came to be called (in the 1990sâ style of abbreviating long Bollywood titles), outperformedMaine Pyaar Kiyaa(I Have Loved, 1989) in the box office which in its day had outperformed the long-time record .
Bollywood and Globalization: Indian Popular Cinema, Nation ~ Commercial cinema has always been one of the biggest indigenous industries in India, and remains so in the post-globalization era, when Indian economy has entered a new phase of global participation, liberalization and expansion. Issues of community, gender, society, social and economic justice, bourgeois-liberal individualism, secular nationhood and ethnic identity are nowhere more explored .
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Bollywood and globalization : Indian popular cinema ~ Get this from a library! Bollywood and globalization : Indian popular cinema, nation, and diaspora. [Rini Bhattacharya Mehta; Rajeshwari Pandharipande;] -- This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
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Bollywood and globalization : Indian popular cinema ~ Bollywood and globalization : Indian popular cinema, nation, and diaspora. [Rini Bhattacharya Mehta; Rajeshwari Pandharipande;] Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library. Create lists, bibliographies and reviews: or Search WorldCat. Find items in libraries near you. Advanced Search Find a Library. COVID .
Bollywood and Globalization: Indian Popular Cinema, Nation ~ CHAPTER 1. BOLLYWOOD, NATION, GLOBALIZATION: AN INCOMPLETE INTRODUCTION. Rini Bhattacharya Mehta. Bollywood, or Bombay Cinema, or Indian Entertainment Cinema went global in 1995, with Aditya Chopra's Dilwale Dulhaniya Le Jayenge (The True of Heart Will Win the Bride).DDLJ, as the film came to be called (in the 1990s' style of abbreviating long Bollywood titles), outperformed Maine Pyaar Kiyaa .
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Lonely Indian Housewives: Gendered Portrayal of Loneliness ~ Gopal, Sangita. 2010. Sentimental Symptoms: The Films of Karan Johar and Bombay Cinema. In Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora, ed. Rini Bhattacharya Mehta and Rajeshwari V. Pandharipande, 15â35. London: Anthem Press. Google Scholar
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