Beschreibung American Cinema of the 1950s: Themes and Variations (Screen Decades S). America in the 1950s was a place of sensational commercial possibility coupled with dark nuclear fears and conformist politics. Cold war hysteria and anti-communist witch hunts influenced a culture already falling under the spell of suburbia, television and a brave new world of luxury goods.Throughout the decade Hollywood was under siege: from the Justice Department pressing for big film companies to divest themselves of their theatre holdings; from the middle classes, whose retreat to family entertainment inside the home drastically decreased the film-going audience; and from the House Un-American Activities Committee, attempting to purge the country of dissenting political views. This tumultuous decade also saw some of Hollywoods most talented filmmakers - John Ford, Alfred Hitchcock, Vincente Minnelli, Nicholas Ray and Billy Wilder - producing some of the best-loved movies in the history of cinema, including From Here to Eternity, Sunset Boulevard., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause.
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Popular culture and mass media in the 1950s - Khan Academy ~ 1950s America. Korean War overview. The Korean War. The Eisenhower era. Anticommunism in the 1950s . Popular culture and mass media in the 1950s. This is the currently selected item. Women in the 1950s. Atomic fears and the arms race. The start of the Space Race. Practice: 1950s America. Next lesson. The Civil Rights Movement. Arts and humanities · US history · The postwar era (1945-1980 .
1940s French stag film: whipping, spanking fetish : Free ~ Here, those wacky French were decades ahead of the rest of the world. Credit where it's due dept: this is a public domain film-loop rediscovered and re-released on the Cult Epics dvd "Vintage Erotica anno 1940". Some of the other archived films in this series: * 1930s French fetish stag film: S&M, whipping, domination * Rare 1930s French fetish stag film #2: S&M with a smile * 30s French .
Alle Filme von A bis Z im Archiv / cinema ~ Das Kinoprogramm in Deutschland mit allen Neustarts, Filmen, DVDs, dem Filmquiz und vielen Stars, News, Fotos und Insider-Infos: alles rund ums Kino bei CINEMA Online
Women in the 1950s (article) / 1950s America / Khan Academy ~ Learn about the myths and realities of women's lives during the 1950s. Learn about the myths and realities of women's lives during the 1950s. If you're seeing this message, it means we're having trouble loading external resources on our website. If you're behind a web filter, please make sure that the domains *.kastatic and *.kasandbox are unblocked. Courses. Search. Donate Login Sign .
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Barry K. Grant - American Cinema of the 1960s, Themes and ~ Barry K. Grant - American Cinema of the 1960s, Themes and Variations (2008) - Free ebook download as PDF File (.pdf), Text File (.txt) or read book online for free.
Aspect ratio (image) - Wikipedia ~ In American cinemas, the common projection ratios are 1.85:1 and 2.39:1. Some European countries have 1. 6:1 as the wide screen standard. The "Academy ratio" of 1.375:1 was used for all cinema films in the sound era until 1953 (with the release of George Stevens' Shane in 1. 6:1). During that time, television, which had a similar aspect ratio of 1. 3:1, became a perceived threat to movie .
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American comedy films - Wikipedia ~ American comedy films are comedy films produced in the United States.The genre is one of the oldest in American cinema; some of the first silent movies were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. With the advent of sound in the late 1920s and 1930s, comedic dialogue rose in prominence in the work of film comedians such as W. C. Fields and the .
American Cinema of the 1910s / Progressivism In The United ~ American cinema of the 1910s : themes and variations / edited by Charlie Keil and Ben Singer. p. cm. (Screen decades : American culture / American cinema) Includes bibliographical references and index. ISBN 9780813544441 (hardcover : alk. paper) ISBN 9780813544458 (pbk. : alk. paper) 1. Motion picturesUnited StatesHistory. 2. Motion picturesUnited StatesPlots, themes, etc. I. Keil, Charlie. II .
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Diplomarbeiten24 - Aspects of class in select plays by ~ American commercial cinema frequently does not deal with gender and power issues in a critical and desirable way. Its prior social functions were and still are to ‘reinforce rather than to challenge dominant ideology’ (Robinson, quoted in James/Berg, 172 – 173). It is thus highly important to encourage the spectatorship to read films critically. A critical film reception, though .
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