Beschreibung Visions of the Apocalypse: Spectacles of Destruction in American Cinema (Film and Media Studies). Visions of the Apocalypse examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as Saving Private Ryan, Bowling for Columbine, We Were Soldiers, Invasion U.S.A., The Last War, Tidal Wave, The Bed Sitting Room, The Last Days of Man on Earth and numerous others. It also considers the ways in which contemporary cinema has become increasingly hyper-conglomerised, leading to films with ever-higher budgets and fewer creative risks. Along the way, the author discusses such topics as the death of film itself, to be replaced by digital video; the political and social tensions that have made these visions of infinite destruction so appealing to the public; and the new wave of Hollywood war films, coupled with escapist comedies, in the post-9/11 era. Encompassing both questions of physical and filmic mortality Visions of the Apocalypse is a meditation on the questions of time, memory and the cinema's seemingly unending appetite for spectacles of destruction.
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Wheeler Winston Dixon - Wikipedia ~ Wheeler Winston Dixon (born March 12, 1950) is an American filmmaker and scholar. He is an expert on film history, theory and criticism. His scholarship has particular emphasis on François Truffaut, Jean-Luc Godard, American experimental cinema and horror films.He has written extensively on numerous aspects of film, including his books A Short History of Film (co-authored with Gwendolyn .
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Apocalypse, American Style - PopMatters ~ Approach Apocalypse Now with much trepidation, as you must an elephant.It is large. It is iconic. It is considered one of the finest American films of the 20 th century. And in a time of bloated .
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Themes, Subjects & Characters - Film Studies Research ~ For instance, there may be a non-fiction film about the rise of the vampire movie genre. Films on a theme or event usually have a subject heading taking the form [Topic]--Drama, but there are also related genres (e.g., War films). Films that are part of a series (or implied series) may receive [Series name] films. A series is usually treated as .
The Society of the Spectacle - Wikipedia ~ The Society of the Spectacle (French: La société du spectacle) is a 1967 work of philosophy and Marxist critical theory by Guy Debord, in which the author develops and presents the concept of the Spectacle.The book is considered a seminal text for the Situationist movement. Debord published a follow-up book Comments on the Society of the Spectacle in 1988.
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Apocalypse - Wikipedia ~ An apocalypse (Ancient Greek: ἀποκάλυψις apokálypsis, from ἀπό and καλύπτω, literally meaning "an uncovering") is a disclosure or revelation of great knowledge. In religious and occult concepts, an apocalypse usually discloses something very important that was hidden or provides what Bart Ehrman has termed, "A vision of heavenly secrets that can make sense of earthly .
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Observations on film art ~ On the History of Film Style. Second edition, 2018. 353 pages. [order PDF version, $7.99] Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling. Chicago: University of Chicago Press, 2017. 592 pages. [go to ] The Rhapsodes: How 1940s Critics Changed American Film Culture. Chicago: University of Chicago Press, 2016. 176 pages.
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Journal of African Cultural Studies: Vol 32, No 3 ~ Journal of African Cultural Studies. 2019 Impact Factor. 0.587 Publishes across the spectrum of African culture, from visual arts, music and cinema to the role of the media and relationship between culture, power and gender. Search in: Advanced search. Submit an article. New content alerts RSS. Subscribe. Citation search. Citation search. Current issue Browse list of issues Explore. Top; About .
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